entrances exits

during the ma final project months, i spent time with colleagues staging, pretending and playing. the film was a sort of obsessive note- taking between footage from our sessions, searching more or less randomly on the internet for details and images that went with the imagination of the project in the moment.

my colleagues worked wihtout a script, making scripts, making scenes, and imagining pieces that don’t exist.

with salka ardal rosengren and kristin nango
nadi as photographer